Development of alhma.com
If you want to know more about the origin and development of alhma.com you can consult the book in the Issuu network or navigate through this section to delve into conceptual reflections on the development of the site.
Ahma.com is a growing site in which to mediate my cultural interests and interconnect with people and institutions from the creativity, arose in 2004 as a medialab or experimental poetic laboratory with the aim of developing a web project of techno-cultural nature from of studies of Art and Contemporary Audiovisual Communication entitled [H-2] Alhma.
The project [H-2] Alhma is articulated supported by the network society and everyday objects and in this sense revalues daily life, the world of small things that acquire personal meanings. It shows a vision of the world mediated by the feminine condition, under the prism of diverse essays of digital aesthetics, in it are collected some of my concerns in relation to various symbolisms associated with the body, the soul and the universe of shapes and colors.
Alhma [H-2] evolves within a polyhedral vision and has the character of a blog, a travel notebook. You can understand in a summarized way the structural and conceptual logic that guides me activating the programs in Prezi that I have included in the upper zone. Prezi is a dynamic presentation system, in which I show an overview of the different paths of alhma in the network over time. It is a program that you can see in a fragmented way in three options: Introduction, Alhma Web.2 (Networks) and [H-2] Chalices (expansive wave).
As part of this project are included hybridizations with works of great professionals of dance, architecture, fashion, illustration, techno-art and techno-advertising that are marking the passage of great contemporary expressions and other more popular and daily that enrich us by their proximity and potential communicator.
My spirit is prosumidor, not appropriation, I understand that they are external programs whose integration enables the concept of Web.2, about which I do not have any additional rights acquired, but that allow a very interesting contextual view of some aspects of our artistic and contemporary scientific and its evolutions.
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